2019
The work originated from the contact with the knowledge of the Japanese aesthetics of Ma and makes reference to the contemplation of abstract landscapes that emerges from a source of light that shines over different places on the surface of a sphere of transparent ice, without the present mineral aspects of water.
It explores the shape, the matter and the way that we observe the space and its intervals. It approaches the transformation of the view and the contemplated object, as well as the finding of uncountable possibilities that appear when we dedicate ourselves to this observation. It reflects over the temporary and transitional character of everything, specially our uncertainties.
